As the intermedia field is by definition collaborative, the above artists create many of their projects in collaborations – Marko Peljhan collaborates with a technical crew (Projekt Atol Institute being a producer of Dragan Živadinov Noordung Cosmokinetic Cabinet projects) and with musicians (eg Tao G Vrhovec Sambolec) from Slovenia as well as with international artists (eg Carsten Nicolai) and curators (eg Thomas Mulcaire from South Africa); Marko Košnik has collaborated with dancer and choreographer Mateja Bučar (DUM Association of Artists) and with his international colleagues, mostly musicians and artists (eg Mike Hentz) from German-speaking countries; and Igor Štromajer (Intima Virtual Base) has frequently collaborated with Davide Grassi (Aksioma Institute) as well as with musician Brane Zorman and stage director and painter Vlado Repnik (GVR). There have also been important collaborations between Jaka Železnikar, Aleksandra Globokar, Zvonka Simčić and Tanja Vujinović, all of whom later went solo. Programmer and media artist Luka Frelih has often contributed his skills to projects conceived by Marko Peljhan, Vuk Ćosić and Borut Savski.

Some visual artists have formed production units, representing the crossroads where different artistic directions and visions communicate under a common production roof. The 3via Art Association supports projects by Borut Savski, Mojca Marija Pungerčar and Marjan Kokot, while the Domestic Research Society produces projects in a newly-built Kabinet space conceived by Alenka Pirman, Damjan Kracina and Jani Pirnat, and engages in online wiki projects, eg Razvezani jezik - The Unleashed Tongue.

As anticipated by the group creative efforts of NSK over a period of some two decades, from 2000 a number of collaborative projects began to transform into a continuous shared authorship with the formation of new artistic groups or partnerships, most notably son:DA and the BridA collective.

The son:DA artistic alliance, which first emerged in 2000 within the context of the Klon.art.resistance group, has focused on interdisciplinary studies, speaking (and linking) new and old technologies in a critical and ironical way in its multimedia projects, installations and situations. In 2007 son:DA received the Golden Bird Award. The BridA collective conceptually bridge science and art; by combining computer science and social studies with art theory and practice, their works are realised in a hybrid world where the 2-dimensional and 3-dimensional co-exist. BridA’s approach to collective work is conceptual: in this way new ideas are not only realised efficiently but also confronted and analysed immediately. Both groups regularly present their work internationally.

As the Slovenia Cultural Profile database does not feature individual artists – unless they are running their own NGO organisation and productions – there follows an overview of some emerging names in the field. During the last five years a new wave of artists from diverse backgrounds has appeared – at this stage it is impossible to determine whether they will develop full-blown intermedia concepts or are only flirting with intermedia arts. Given the diversity and (lack of) structure in the sector, which is extending and reinventing, merging performative practices with participatory and sharing principles, it would not be appropriate to single out or pigeon-hole particular authors, however a few of them have developed a conceptual framework and are internationally involved.